Hip-Hop artist Brother Ali (Rhymesayers) in conversation with Sohail Daulatzai (Razor Step), curator of the exhibit Return of the Mecca: The Art of Islam and Hip-Hop.
With an introduction by Soham Patel
Come join the conversation as we discuss the history of Islam and Hip-Hop, and its significance for politics and art today.
4.6.15 6:30pm
Intermedia Arts
2822 Lyndale Ave. S
Minneapolis, 55408
$5 suggested
donation
No one turned away
for lack of funds
Co-Sponsors: University of Minnesota Black Graduate and Professional Students Association, Department of African American and African Studies, Department of American Studies, Department of Cultural Studies and Comparative Literature, Department of English, Department of Gender, Women, and Sexuality Studies, Institute of Advanced Study, Institute for Global Studies, Office for Equity and Diversity, Program in Religious Studies, School of Music, and University of Minnesota Press.
Photo: Yasiin Bey, Shot by Cognito (Frolab©)
Brother Ali is a highly respected Hip Hop artist, speaker and activist from Minneapolis, MN. His decade long resume includes six critically acclaimed albums, mentorships with Iconic Hip-Hop legends Chuck D and Rakim and performances on late night talk shows with Conan O’Brien and Jimmy Fallon. He’s been the subject of Al-Jazeera and NPR pieces and was a keynote speaker at this year’s Nobel Peace Prize Forum. He’s landed coveted press features such as Rolling Stone’s 40th anniversary “Artist to Watch” and Source Magazine’s “Hip-Hop Quotables.”
Ali has won the hearts and minds of Hip-Hop fans world wide with his intimate song writing, captivating live performances and outspoken stance on issues of Justice and Human Dignity. In 2007, Ali was flagged by The US Department of Homeland Security for his controversial critique of America’s human rights violations in his song/video Uncle Sam Goddamn. In the summer of 2012, Ali was arrested in an act of civil disobedience as an organizer of Minnesota’s Occupy Homes movement to defend Twin Cities homeowners from unjust foreclosures.
Brother Ali’s latest album, Mourning in America and Dreaming in Color is his manifesto on the political, socioeconomic and cultural suffering in modern American life, as well as a declaration of hope and possibility for a brighter future. The album is introduced by Dr. Cornel West.
Dr. West had this to say about Ali and his work. “Brother Ali is fundamentally committed to truth and justice. He’s part of a great tradition in this country and around the world that highlights the wretched of the earth, allows them to undergo an awakening and shatters their sleepwalking. I want the world to know that Ali is my brother and I have so much great love and respect for him. We’re part of the same tradition concerned with Truth and Justice. He does it in his own smooth, sophisticated way. Sometimes he’s funky and sometimes he’s direct, but I love the way he tells the truth. The album itself (Mourning in America and Dreaming in Color) is such a force for good and a food source for people’s souls. People can feel the love on the vanilla side of town and on the chocolate side of town. It’s a human thing. A love thing.”
Brother Ali is currently working on his first literary offering, tackling the topics that are discussed in his speaking engagements and workshops.
Sohail Daulatzai is a founding member of Razor Step, a creative media lab that works at the intersection of art, politics, and culture. He is the author of Black Star, Crescent Moon: The Muslim International and Black Freedom beyond America and co-editor of Born to Use Mics, a literary remix of Nas’s album Illmatic. He is the curator of the exhibit Return of the Mecca: The Art of Islam and Hip-Hop, and editor of the limited edition, companion commemorative book of the same name, which includes an interview with Yasiin Bey (aka Mos Def), essays by Chuck D and Sohail Daulatzai, the work of Jamel Shabazz, Ernie Paniccioli, and others, as well as album cover art, photography, flyers and other ephemera. He has written liner notes for the 2012 release of the 20th Anniversary Deluxe Box Set of Rage Against the Machine’s self titled debut album, the liner notes for the DVD release of Freestyle: The Art of Rhyme and the centerpiece in the museum catalog Movement: Hip-Hop in L.A., 1980’s – Now, and his other writings have appeared in The Nation, Counterpunch, Al Jazeera, and Souls, amongst others.
He also curated the exhibit Histories Absolved: Revolutionary Cuban Poster Art and the Muslim International, which showcased the work of the Havana-based OSPAAAL (Organization of Solidarity with the People of Africa, Asia and Latin America) and their political graphic art of the 1960’s, ‘70’s and ‘80’s with Palestine, Egypt, Syria, Afghanistan and other Muslim majority countries. He is the founder of Groundings, a conversation series that has included Immortal Technique, Chuck D, Rosa Clemente, dream hampton, Robin D.G. Kelley and Jasiri X. He is an Associate Professor in the Department of Film and Media Studies and the Program in African American Studies at the University of California, Irvine. For more of his work visit openedveins.com.
Conceived by Razor Step, and rooted in the idea that ideas matter, Groundings is where art, politics and people converge.
Having just returned from Palestine as part of a delegation of Black artists and activists from the United States, come to the next installment of Groundings where celebrated writer/filmmaker dream hampton and acclaimed hip-hop artist Jasiri X talk with professor Sohail Daulatzai about their experiences there, what they witnessed, and why it matters in shaping social justice and solidarity across borders.
Co-Sponsored by: Afro-American Studies, Students for Justice in Palestine and Afrikan Student Union
dream hampton has written about culture and politics for 24 years. She’s also a filmmaker and activist. She’s from Detroit.
From the controversial viral video, “What if the Tea Party was Black?,” to the hard hitting truth of, “A Song for Trayvon,” Jasiri X cleverly uses Hip-Hop to provide social commentary on a variety of issues. Jasiri has been a guest on BET Rap City, The Michael Baisden Show, Huff Post Live, Free Speech TV, Left of Black, and Russia Today. He is the first Hip-Hop artist to receive the coveted August Wilson Center for African American Culture Fellowship. A founding member of the anti-violence group One Hood, Jasiri recently started the One Hood Media Academy to teach young African-American boys how to analyze and create media for themselves. Jasiri X signed a record deal with Wandering Worx Entertainment and released his debut album, Ascension with acclaimed producer Religion.
Born at the Af-Pak border and raised in L.A., Sohail Daulatzai is the author of Born to Use Mics and Black Star, Crescent Moon. He’s written liner notes for the 2012 release of the 20th Anniversary Deluxe Box Set of Rage Against the Machine’s self-titled debut album, as well as the DVD liner notes to the award-winning documentary Freestyle: The Art of Rhyme, and the centerpiece for the exhibit catalog Movement: Hip-Hop in L.A., 1980-Now. His articles have appeared in Al Jazeera, The Nation, Counterpunch, Souls and other venues. He teaches in the Film and Media Studies Department at UC Irvine and is currently working on a graphic novel on Sam Greenlee’s The Spook Who Sat by the Door. He is a founding member of Razor Step and more of his work can be found at Opened Veins.
Felipe Coronel, known as Immortal Technique, is a recording artist, filmmaker, writer, and activist. Hailing from Peru, by way of Harlem, New York, he is one of the highest selling independent artists putting forth a combination of globally themed revolutionary music with a gritty reality based street Hip-Hop. Not only is he an artist, but also a human rights advocate. The President of Viper Records, 4 records deep in the game, with over 250,000 records sold, he has the Hip-Hop community highly anticipating his 5th studio album, The Middle Passage.
Zack de la Rocha is an artist and activist. He is the lead singer of Rage Against the Machine and One Day As A Lion, and has been involved in a broad range of social movements and struggles, including around Death Row inmate Mumia Abu-Jamal, the Zapatista struggles in Chiapas, the Sound Strike around SB 1070 in Arizona, among others.
Born at the Af-Pak border and raised in L.A., Sohail Daulatzai is the author of Born to Use Mics and Black Star, Crescent Moon. He’s written liner notes for the 2012 release of the 20th Anniversary Deluxe Box Set of Rage Against the Machine’s self-titled debut album, as well as the DVD liner notes to the award-winning documentary Freestyle: The Art of Rhyme, and the centerpiece for the exhibit catalog Movement: Hip-Hop in L.A., 1980-Now. His articles have appeared in Al Jazeera, The Nation, Counterpunch, Souls and other venues. He teaches in the Film and Media Studies Department at UC Irvine and is currently working on a graphic novel on Sam Greenlee’s The Spook Who Sat by the Door. He is a founding member of Razor Step and more of his work can be found at Opened Veins.